Counterpoint is a compositional technique in which several independent voices are conducted simultaneously, forming a complex structure through their interplay. It generates a structure that does not arise from the dominance of a single line, but from the relationship between many equal elements. Counterpoint makes it possible to organise complexity without simplifying it, and to render multiplicity perceptible as structured simultaneity.

In the present works, counterpoint is transferred into sculpture. Thousands of geometric wooden elements are layered into curved bands that unfold through space like a polyphony. Their interwoven trajectories are based on the mathematical principles of Baroque fugues. Each curve corresponds to a note, so that the sequence of curves of varying size resembles a melody in space. The sculptures make musical structures visible and unfold a spatial configuration in which repetition, variation, and simultaneity manifest as sculptural form.